Samurai Beat Radio Presents: Sara Barton’s Exclusive with Chen Deming




   

      The Dreams of Jinsha, made its East Coast Premiere at The New York International Film Festival (NYICFF). Five years in the making, it’s mainland China’s first hand-drawn animated film. It was one of the 15 films to qualify for the Best Animated Feature at this years Oscar’s. The film is a blend of Chinese history/mythology in a time travel fantasy adventure- as Xiao Long, a young boy from Bejing, is hurled back in time to 3,000 year’s to the Jinsha Kingdom and finds himself at the center of an ancient prophecy.  Xiao must make the difficult choice of risking his life to save the Kingdom of Jinsha.  It’s an epic masterpiece; a visually breath-taking film inspired by the works of the legendary Hayao Miyazaki. Thanks to the wonderful people at NYICFF, Samurai Beat Radio was given the opportunity to an exclusive with the director Chem Deming.

SB: How does it feel to have
your film premiere at the (New York International Children’s Film Festival)
NYICFF?

Chem Deming:

 《梦回金沙城》在纽约国际儿童电影节放映时获得了来自美国儿童的欢迎,他们非常喜欢故事里面的小狗星星,还几次问到星星是什么品种的狗、是不是他们收养一条小狗也能穿越到古代……这给了我们很大的鼓励,也带来许多新的创作灵感。我们在后续作品的创作中,会用到孩子们的许多童真想法,希望新作品能够继续得到孩子们的喜爱与关注。

It
gave us a lot of encouragement that American children who watched The Dreams of Jinsha at the NYICFF
enjoyed the film. They liked Xingxing,
the dog in the story, very much, and asked several questions about him, such as
what breed he was, and if they looked after a dog would they then be able to go
back in time to ancient civilization. And this also gave us a lot of new
creative inspiration. So in our future works, we hope to make use of childhood’s
innocent thoughts, and hope that our works will continue to be enjoyed by
children.

 

SB: What was your inspiration for this
film?

Chem Deming:

《梦》片得灵感来自于,在金沙博物馆参观时,面对出土于3500年前、精美绝伦的文物时,我能感受到那个时代的高度文明。人类、动物与自然共同生长、逐渐繁荣壮大……点点滴滴美好的过程。我被这种感受闪电般击中,并且为之深深地感动,倏忽间,我像影片中的小龙一样穿越了。

The inspiration
for The Dreams of Jinsha came during
a visit to the Jinsha Museum. Viewing cultural relics dating back 3,500 years
ago, exquisite beyong comparison, I could sense the high-level civilization of
that age. Humans, animals and nature growing together, gradually becoming
glorious through a beautiful process. I felt struck by lightening with this
feeling, which moved me immensely,  and
in that instant, I “passed through time”, like Xiao Long in the film.

 

SB: What drove you to become an animator?

Chem Deming:

从小喜欢绘画,市场用绘画来表现生活中的感动之事,多少年过去后,终于有机会用动画这种艺术形式来实现内心的梦想。《梦》片是我的第一部电影作品,所以是《梦》片让我成为了动画人。

I’ve liked
drawing ever since I was young, and after many years, I finally had the
opportunity to use the art of animation to realize the dream within me. The Dreams of Jinsha was my first film,
so it was this film that turned me into an animator.

 

SB: Over the years studios have preferred
to create 3D animated films; recently 2D animated films are making a comeback.
What are your thoughts on this? Which method do you prefer? & Why?

Chem Deming:

2D3D只是电影的一种表现形式,作为不同的艺术手法,它们共同存在,并且各有优势。就像摄影和油画一样,在摄影诞生之初,有人曾预言油画会被取代,但实际上,油画仍有自己存在的空间。我个人始终认为,选择什么样的表现形式关键是看表达的故事内容最适合用哪种形式,我个人更喜欢用2D,因为有手绘的笔触和色彩。

2D and 3D are
just different forms of showing film images, and as different artistic
techniques, they can exist together, and both have their advantages. Just like
photography and paintings, during the early stages of photography, there were
people who predicted that paintings would be replaced. However, it remains that
paintings still have their own space to exist. I have always believed that,
whatever display style one chooses, the key is to see what style most suitably
fits the film’s content. Personally, I prefer 2D, because of its brushwork and
colouration.

 

SB: In one of the scenes Xiao Long notices
a piece of paper on his desk is floating in the air. 3D animation is usually
used for this type of effect.How were you able to do it in 2D animation? What
was the process?

Chem Deming:

这个镜头要表现的是小龙对金沙城的思念。我们先观察纸飘动时变形的过程,在确定透视变化的方向,这样画出来才有真实感。

This scene
depicts Xiao Long’s fond memories of
Jinsha City. First of all, we observed the motions of a piece of paper floating
through the air to figure out the movements and directions. Only through
deciphering the directions of the changes of perspectives, could we create a
realistic image.

 

SB: Several critics have noticed that your
film has many similarities to Miyazaki’s work; would you say he’s been an
artistic influence? Also are there any other artists who’ve influence your
work?

Chem Deming:

我认为全世界对的标准是一致的,我喜欢宫崎骏的作品,很唯美。更喜欢斯皮尔伯格的作品,他更多的在思考人性本质层面。

I think that
the standard of “beauty” is the same around the world. I like Miyazaki’s works,
they’re very beautiful. Spielberg’s films I like even more – he puts more
thinking into the dimensions of human nature.

 

SB: What’s next for the future?

Chem Deming:

我们已经在筹备梦回系列的后续作品,第二部动画电影《天鹿回家》及《梦回金沙城》同名电视动画连续剧。同时,我们还有出版同名出版物及周边产品的计划,现在已经出版了系列出版物的第一本。

We are
already working on a series of follow-ups to The Dreams of Jinsha – a second
film entitled
《天鹿回家》Tianlu
Huijia
(English title
yet to be decided), and a television series version of The Dreams of Jinsha. In the meantime, we also have a plan to bring
out film-related memorabilia and books bearing the film’s name. For example,
the first book of the film’s book series is already out.

 

SB: Will the film be released in the
US?

Chem Deming:

关于《梦回金沙城》在美国的公映,目前我们正与美国的发行公司积极磋商中,敬请期待!

Regarding the
screening of The Dreams of Jinsha in
the US, we are currently in talks with a US distribution company, so watch this
space!

Thank you Mr. Deming, it has been a pleasure. We look forward to seeing The Dreams of Jinsha released in the US.

Translated by: John Burton

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